Friday, October 22, 2010

Believed to be Beautiful: Teak Bowl


Fifth anniversary of our first day as a couple was this week. We selected this large teak bowl as our gift to those years and the many to come. It sits on our table holding the most important things: tiny pumpkins for fall, stacks of cards for after dinner games. Andrew asks me over and over again, can't I smell the wood? Can't I smell the teak? No, no, I never can, but I believe it's beautiful anyway.

Thursday, October 21, 2010

Believed to be Beautiful: Tin


Each time I go to open this little tin, I forget for a moment what is inside. I open the lid and aha! there it is - the millinery rose I'd placed in there years ago. I love the treasure of it - the forgetting and remembering. I love that the act of opening the lid is as much a ritual as the experience that follows.

Wednesday, October 20, 2010

Believed to be Beautiful: Horse


Andrew rolled his eyes a little on this one. He was 75% off, chipped, strange, and really, useless, but I had to have him. Carried in my bag, wrapped in a handkerchief for the long walk home, I have never once regretted the purchase of this horse. He sits on a shelf near my desk, spending time with an old Avon owl, and I like to think that when no one else would, I brought him home, and gave him a small, static, beautiful life.

Tuesday, October 19, 2010

Believed to be Beautiful: Dice


You know those collections that just sort of...happen? A friend sends the tiniest die you've ever seen, then another gives you a small bag of dice with the most perfect green dots. Some are made of wood, others plastic. We use them, yes, but I love them more for their beauty than their practicality.

Monday, October 18, 2010

Believed to be Beautiful: Safety Pin


I lose a little more blue paint each year, tiny scraps flaking off as it's used for yet another project, but even though I an entire box of shiny, new pins, this one has always been my favorite.


Friday, October 15, 2010

Believed to be Beautiful: A Day Off


I know, I know, household beautiful, those were my rules, but having already broken them once with the work doodle, and really, being my own boss, I decided that rule breaking is really fitting for a day off.

On the schedule:
Waking up early and surprising Andrew with a packed lunch and scrambled eggs with Virginia ham and sharp cheddar, a treat of coffee from Andrew who ran out and pick up a perfect latte to sustain me long enough to lounge the early morning away, a phone chat with my mother about her impending graduation!, a long shower outfitted with new conditioner, enough time to place a thin-thickish line of jet black liner on my lids and really, enough time to talk myself out of it and then into it again, a green scarf wrapped and knotted around my neck, tall cognac colored boots thumping on the pavement on the way to the corner coffee shop, one triple latte and a seat by the sun, a cell phone photo when all other gadgets are forgotten, lunch at the museum cafe and a seat outside near the sculpture to enjoy my new book, cleaning the apartment, preparing dinner and a special dessert, grocery shopping for necessary supplies (apple streusel cake is necessary, right?), making plans with the hubby for a Saturday of apple picking and movie watching.

It's really, really beautiful.

Thursday, October 14, 2010

Believed to be Beautiful: Stamps


I use them, all the time, the stamps in my life. I put them on letters to friends and family; I tuck them inside vellum envelopes and send them off, matching images with personalities. I like the ones from he 70's - vibrancy, activism, spunk. These I framed - not to keep safe - but to keep visible.

Wednesday, October 13, 2010

Believed to be Beautiful: Buttons



I have quite a few in my collection, quite a few from my childhood - even more from other's childhoods - but these I keep on a thin green string hung near my desk. I like to admire them as if they are jewels, glinting in the light.

Tuesday, October 12, 2010

Believed to be Beautiful: Notes to Self


Old Post-It: First thoughts matter most.


Monday, October 11, 2010

Believed to be Beautiful: Doodle


So, today's bit of beauty is not technically from home, though I spend enough time at work that one might consider it a kind of "home" and as such, the same rules would apply, yes?

This doodle and note was scribbled out by a very sweet friend in the office, and though its sentiment is forthright and seemingly obvious, what makes it so beautiful to me comes down to one word: boring.

I believe, among the compliments a life might gather, that being one who makes a space less boring is among one of the very best possible traits to have recognized by friends and co-workers. I like a good story now and the, a little chuckle amidst the gloom, and I like even more when that's recognized by someone else I respect and enjoy. The little sun is beautiful, both in it's doodly lines, and its reminder of the silly it was created to remember.

Thursday, October 7, 2010

Believed to be Beautiful: Pencil Sharpener


"I cut / / / / /

I multiply everyday images. I apply an aluminum point.
To the landscape.
To the sentence.
To the photo.
To the figure.
To the word."
-from "Grafik" by Juan Felipe Herrera

Wednesday, October 6, 2010

Believed to be Beautiful: Doily


"Somebody embroidered the doily.
Somebody waters the plant,
or oils it, maybe. Somebody
arranges the rows of cans
so that they softly say:
esso—so—so—so
to high-strung automobiles.
Somebody loves us all. "
-Elizabeth Bishop, from "Filling Station"

Today's beautiful comes courtesy of Lisa Solomon, and honestly, should have made its appearance here long, long ago when I was the lucky recipient of its glory after a drawing on her website. It is so delicate, so lovely, and at the same time, it is a reminder of everything I've known growing up - the strength of creating, the stability of the knotting, knitting, stitching, and gathering of threads by human hands. Often, at work at my desk, I run my hands over the tiny raise of the vinyl on the glass and I imagine that it's a kind of braille that tells the story of my childhood through the possibility of the future.

Tuesday, October 5, 2010

Believed to be Beautiful: Teeny Tiny


This one is an awkward shot, scanned in from film, cropped in awkward ways by what was mostly likely hurried and unsteady hands. The teeny tiny deer, bone china horse, and fishing gnome were all gifts from people I love. I give them each new stories each time I bend down to the shelf where they live. I should be honest and tell you that they were, after this roll of film was shot, joined by two small pink pigs, one itsy bitsy white mouse with his cheese, a tiny hippopotamus, and uniquely minuscule Donald and Daisy Duck, joined by an equally teeny Goofy. There's no use for them other than pure childlike joy, but I believe them to be beautiful with their tiny painted details (most of which are off-center), and their ability to remind me that small and silly is worth it - every time.

Monday, October 4, 2010

Believed to be Beautiful: Ice Cream Scoop



There are better ones, yes. There are ones that swoop the bottom of the curve to get the last bits, ensuring a picture perfect dome. There are ones that warm the pint, melting their way through the cream so that the arm rests. There are ones that heavier, made of metal. There are ones that are flat and allow for much, much more of the treat. There are ones, I have seen, that create neat little stacks, though I am not sure if stacks will ever rival the rotundity of the classic scoop, settled in its cloud of rough craggy cream.

This one, this one piece orange wonder, was my mother's ice cream scoop. In its life it has served most of the people I've loved. It's portioned out bowls of bliss for family, friends, boyfriends, and husbands. It's done so in many homes, through many states, by many hands. This scoop has helped heal heartaches, fulfill birthday wishes, reward triumphs, soothes defeats, and sometimes, simply helped to busy a worried mind.

This scoop requires, at times, the help of another force to clean its curve, to remove its scoop, to complete the cone. It isn't always the best with respect to form and function. It's set in its ways, this one. Regardless, this orange scoop is by far the most beautiful I have ever seen. Sometimes, when I pass through the kitchen late at night, head filled with unquietable wonders, I see it perched against its white porcelain home, tacked high on the wall, and I find comfort in its story; some days I find comfort in just knowing it's there, waiting.

Tonight, in celebration of paying attention, I will pull down my favorite bowl, open the freezer and shiver from the frost, stand on my tip toes and take down that old ice cream scoop and wrestle with my good intentions over one scoop or two. I will make a bowl for Andrew and wrestle with him over two scoops or three, and I will wash the scoop by hand, as I always do, and put it back where it belongs - in my mother's daughter's home, waiting to be used.

Friday, October 1, 2010

Believed to be Beautiful: Strawberry



This one was a gift, though it isn't my first. I have one that was my grandmother's, tucked in with a few of her sewing bits my mother offered me when I left for college. I have a few that came pressed in the bottom of a bag of old bobbles I rescued from an attic in a CT antique mall. I have one scraggly one I made myself during a late night surge of craft and creativity that didn't quite work out as I'd imagined. But this strawberry, a tiny pin cushion of sorts, was a gift from a friend that was left for me as a surprise in my grad school mailbox. Nestled in a carved out orange, it still smells of citrus. It belonged to her grandmother, a woman she loved fiercely, a kind of loves that comes from family ties and complications, a kind of history built on its complexities, and that kind of history makes it even more beautiful - tiny white stitches at its end carrying the reminder of its creation.

It's seemingly simplistic, a classic symbol of stitching recalling memories of mothers and grandmothers tangled in strands of colored thread, clothing punctured by tiny pins that, though removed from the mouth for safety, never quite make the cushion. I keep this strawberry on my desk, just off the edge of the hutch, and I watch as it dances when the typewriter's electric purr begins. I want, without weighting myself with too much sentimentalism, to tell you that it is in those moments of dance that I recognize how alive this small object is, how alive it is with a life I cannot even begin to know.

Wednesday, September 29, 2010



October first and I am renting charisma with both hope and structure. I'm tugging on the wisdom of a good friend and creating rules for my challenge. I am setting parameters for my project and with three months worth of posts dotted out on small scraps of yellowy, lined paper, I am ready to begin. Each month with its own theme, each weekday pulling words from what's been waiting, each post a very small door into a very small view of a very small life with very big loves.

For October, I looked to the blackboard inside our door scrawled with a William Morris quote:

"Have nothing in your house that you do not know to be useful or believe to be beautiful."

As someone with many live's worth of collections and a small apartment curated with curiosities, I keep this line in mind in the thrift shops, on the street corners, while digging through piles of abandoned paper scraps (oh those paper scraps do lure). I keep this line in mind when I meander around our home during the early hours of the weekend, visiting my treasures and considering their worth.

There's a part of me, like the skinny girl they swear is screaming to get out of the chubby ones, and that part dreams of minimalism - a bed, a table, two chairs, and a small shelf of books. There's a part of me that dreams of being able to move with one small box and a floral carpet bag - a modern Mary Poppins with magic only in the metaphor.

The me that's writing this, the me that wins, loves her books like babies, her grandmother's spoons like diamond rings, and that collections of her husband's Berenstain Bear books? Priceless. But do I know these to be useful? In part, I guess, as I can always fancy uses for the loved, but more than that, I believe them to be beautiful, and I do not know of another excuse that might rival the presence of beauty, and perhaps more importantly, belief, in a home.

So, this month is a little about sharing with you, yes, but maybe also with myself as a reminder of sorts, these objects believed to be beautiful. One small space a day during the week, a handful of words, a reexamination of life in parts, in the believed to be beautiful bits.



Thursday, September 23, 2010

Stray Voltage


"I make this stuff up. but then I feel the stray voltage of my rented charisma, hear the jerry-rigged authority in my voice, and I, too, believe. I'm convinced."
-from "Dance in America" by Lorrie Moore

On the bus rides - two per day, ten per week - I listen to stories through tiny headphones and I hear some words and not others. I like the crackle and inflections, the innuendos I'm not listening close enough to untangle, and the way the arch of the narrative always grips me, regardless of my attention to its reason. Monday afternoon, leaving work behind, welcoming the blur of strange faces weaving gently into the seats of the bus at each stop, I heard a familiar Lorrie Moore story come through the speakers. I prepared not to have to fuss with myself over my inattention as I'd read it so many times before, but when the line quoted above rounded out its words, I felt a queer rush of excitement; I felt as though someone had made an addition, and addendum just for me, tucked in the lines on the familiar. I love lines that whisper themselves back to you once they're gone.

I'd urge anyone to read the story in its entirety, to know the words in their origination and not simply my own torn bastardization, but even now, struck free from where they began, less beautiful from the missing lines and more beautiful from the implied possibilities, I cannot help but cheer the notion of rented charisma, the the bits of imaginary that bleed into the observed. I am cheering the notion of believing the unbelievable or uncommon yes, isn't that what every great oration is made of? It's more than that. It's a borrowing against the wealth of one's self and being faithful enough to know it will be returned.

I'm challenging myself to the months of October, November, and December. I am challenging myself to carve a space here each day where even when I believe I cannot, I will rent charisma from myself and be convinced.



Tuesday, August 10, 2010

Steps, Steps


If you cannot be the poet, be the poem. - D. Carradine

*Photo courtesy of the talented Stephanie Lazensky

Sunday, August 1, 2010

The More Things Change...



...the more they are, and are not, the same. There's more to come - there always is - but for now, there is a new (old) chair with a strong wooden frame and a soft, comforting rock, and a little table with just enough room for a book, a cup of coffee, and a tiny flowering plant. There is so much that is new and so much that is old, both types of which I'm working to appreciate.

Sunday, June 6, 2010

On Why I Teach


"If you see a whole thing - it always seems beautiful. Planets, lives...but up close a world's all dirt and rocks. Day to day, life's a hard job, you get tired, you lose the pattern."
-Ursula K. Le Guin

I spend a lot of my time thinking about the patterns of life - the bits of experience that, when strung together, give some semblance of a whole, of a graspable center. I spend time reading student writing, reading student emails, reading student body language, looking for what they are trying to tell me, and maybe most importantly, what they don't realize they're saying to me. I look for ways they connect, for what resides below the surface; I look for patterns of a person behind the ubiquitous title of student. It is, without a doubt, the hardest job I have ever had. It is also, without a doubt, the most rewarding.

This quarter of teaching was my hardest yet - a group of students that brought themselves full force into the classroom without apology - big, fat personalities overlapping and intersecting, confounding and supporting one another, challenging my way of being in the classroom, and asking more of me than I thought I could or wanted to give. They bonded with each other and their voices grew louder each day, taking classwork and lifework and meshing them into what often felt like an intense technological chatter that I could not define. I whimpered from the start of it - they took my comfort zone of fun, feisty classrooms, and pushed my boundaries. They asked me to teach them, not the class I'd hoped they be. I felt, for the first few weeks, completely incapable of making sense of their behavior.

But, and this "but" feels wildly weighted, they showed up; they showed up every day. They came, all twenty of them, to almost every class, they did their work, the discussed the readings I assigned, they completed the papers, they came to office hours (many, many office hours), they attended individual conferences, they emailed me (many, many emails), they formed revision groups, and showed up to my office with revised papers that showed very little recognition of the original type. And after time, I stopped noticing the classroom chatter that took the class concept and almost seamlessly tailored it into a metaphor for their current personal lives, when they braided each other's hair, simultaneously played games on their iPhones while raising their hands, laughed and talked at a decibel that gave passersby the impression that I taught Introduction to Drama. After a time, I stopped trying so hard to teach the class I wanted and I decided to teach the class I got.

Sometimes, I think it's important to pay attention to the dirt and rocks of life. I think that the pattern that allows us to conceive of a whole is nothing without the lumps and bumps, but I am grateful too that we can, stepping back, see that beautiful whole. I am thankful for the combinations that arise when we allow ourselves to encompass the mess of ourselves, and I am thankful for the classroom that can do the same.

I spend a lot of time fretting over student commentary that feels unflattering or critical, words that are most often spoken in haste and carry much less original weight than I give them in my mind. I worry about not noticing what and who needs me, of not offering students something valuable in our time together, and so I focus mountains worth of attention on the "dirt" of it all. Yesterday as I was grading papers, I came to one of my current student's reflective commentary letters, a space in which the students are asked to reflect on their writing process, what they've learned, and the revisions they've made. At the end of the letter she said something that changed my life a little, that shook away some of my tendency to see so much that doesn't work. I hesitated sharing this feedback with worries that it might come across as a selfish assertion of accomplishment, but I realized, as I reread it, that it is so much more. It says so much about how many of the amazing teachers around me teach, about what we do beyond our subject matter, of what the relationship between a teacher and a student really means - a relationship that cannot be calculated by simplistic letter grades and scantron evaluations. She wrote:

"She inspired me to better my writing skills, sit in the front of the class for once, and most importantly communicate and believe in my complex ideas. Someone who can inspire a group of college freshman to write, and to write well, is someone who deserves more than a teaching degree, but a degree that should say: ability to teach people how to have a life and share it."

So, at the end of two years of graduate school, one year of teaching, numerous hours of laughing, crying, worrying, yelling, reading, writing, and learning, I am left with a gratefulness to my students, yes, for pushing me, but also to my peers, to the teachers that taught me how to have a life and share it.